Critic Reviews

37

Metascore

Based on 32 critic reviews provided by Metacritic.com
63
Chicago Sun-Times
There is little human interest or excitement. It isn't written that way. The music and the dialogue seem curiously even and muted, and there aren't the kinds of drama we expect in a biopic. Everyone is too restrained and discreet to expose themselves that way.
50
W.E., her second effort after 2008's "Filth and Wisdom,'' tries awfully hard. In the end it tries our patience.
50
Madonna the director deserves a script better than the one Madonna the screenwriter handed off to her. The movie is full of incidents that don't quite cohere into a story - kind of like a Power Point presentation without a throughline.
42
The movie is a folly, a desultory vanity project for its director and co-writer. But for those very reasons, W.E., by world-renowned personage and lesser-known filmmaker Madonna, is not without twisted interest.
40
W.E., Madonna's second go at directing a feature film, leaves one wishing she'd find other creative outlets for those times when she's bored with the pop-star life.
40
The upshot is that instead of a film about a love that conquered a king and nearly undid a kingdom, Madonna has come up with a female friendship movie, which would be fine if she weren't busy trying to prove her art-film bona fides.
38
Conceived and directed by Madonna, W.E. is a gorgeous mess.
25
Here's Madge one more time doing something for which she is eminently unsuited – directing.
25
Whatever else W.E. may be (lousy, a waste of time, tin-eared, sleep-inducing, occasionally laughable, etc.), it's sincere and ambitious.
20
Wall Street Journal
The director's apparent blindness to the epic banality of her subjects suggests that the whole project is one royally misguided mess.

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