Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course.
Written by <jhailey@hotmail.com>
Crew or equipment visible:
After Ernesto pushed Lena on the staircase, he takes her to the hospital in his Rolls Royce. When they approach the metal gate of his Villa, you can see, almost in the middle of the frame, a blue square with a man inside, most probably a crew person.
See more »
Quotes
[first lines]
[in Spanish, quoting English subtitles]
Modelo:
What's your name? Mateo Blanco:
Harry Caine.
[voiceover]
Mateo Blanco:
I used to be called Mateo and I was a film director. I was always tempted by the idea of being someone else, as well as myself. Living one's life wasn't enough, so I invented a pseudonym, Harry Caine, an adventurer who, as fate would have it, became a writer... See more »